SPOTLIGHT ON: The Manchester Collective (Part 2/5)

SPOTLIGHT ON: The Manchester Collective.
Interview with Artistic Director & General Manager, Adam Szabo.

So what projects have been completed so far?

Adam: So 2017 has been our inaugural season and our first concert was the Transfigured Night project which unusually featured a string sextet and a harpsichord. The key work in that project was Schoenberg’s masterpiece “Transfigured Night” for String Sextet, but the rest of the program was a range of early music and much newer music. We performed a string quartet by John Cage in which we alternated movements with incidental music from the “Fairy Queen” [Henry Purcell].


The Cage is a work that is very much rock inspired and we felt that by juxtaposing that with the Purcell, there were aspects of both works that would pull the audience in. It was something that wasn’t quite radical, but it was definitely an unusual thing to do and people responded really well to it. We also performed a work by Biber, the Battallia for Ten Intruments, and in one of the movements we put down our instruments and sang an aria and so that was another example of how we can kind of attack this repertoire in new ways. And the project was incredibly well received! As part of what we do, we live stream every project that we produce and we had more than 16,000 people tuned in to the live stream of the concert so that was great. So that was our debut concert in Manchester, at Islington Mill where we played the concert with the audience sitting extremely close to us, closer than a metre. [That is] another way that the audience can engage with the relationships going on between the players themselves, and the players and the music.